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Newsletters

Dan Duray

Contributing editor Dan Duray is a writer in Brooklyn whose work has appeared in Puck, The Guardian, Vanity Fair, Bookforum, The Baffler, The Economist, W magazine and Town & Country, among other publications.

  • Dan Duray
  • @dduray8
A painting of a pastoral landscape

One Fine Show: “Grandma Moses, A Good Day’s Work” at the Smithsonian American Art Museum

By Dan Duray
A blonde woman stands in front of an artwork

Curator Kate Kraczon Arrives at the Montclair Art Museum Ready to Get Radical

By Dan Duray
A painting of a dead, trussed sheep

One Fine Show: “Zurbarán” at the National Gallery in London

By Dan Duray
An image of a man in blue in the foreground with a museum at dusk in the background

Séamus Kealy On Returning to Ireland, Artist-Centered Institutions and What the RHA Could Become

By Dan Duray
A messy bed with white sheets and two pillows on a blue rug. There are garbage strewn around

One Fine Show: “Tracey Emin, A Second Life” at Tate Modern in London

By Dan Duray
An exterior photograph shows a white museum building with red-framed glass doors, a paved entrance courtyard, outdoor seating and surrounding trees in late-afternoon light.

The Aldrich’s First Decennial Takes Stock of Contemporary Art in Connecticut

By Dan Duray
A sculptural assemblage in black leaning against a cream-colored wall

One Fine Show: “Louise Nevelson, Mrs. N’s Palace” at the Centre Pompidou-Metz

By Dan Duray
A gallery room with deep blue walls featuring two abstract paintings, one with multicolor rectangles on a gold background and another dominated by black and white blocks, with two visitors sitting on a wooden bench observing the artworks.

One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

By Dan Duray
An altar-like wooden cabinet combines expressive painted panels and handmade puppets arranged in a theatrical tableau against a black wall.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

By Dan Duray
An art fair booth

Five Works That Stole the Show at Frieze New York

By Dan Duray
A large Gerhard Richter artwork featuring thick red and orange abstract paint layers framing a photograph-like gallery scene with two older visitors walking through an exhibition space.

Gerhard Richter, Franz Kline and the Art Marian Goodman Never Let Go

By Dan Duray
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