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Perhaps due to the convergence of multiple biennials and general market recalibration, buyers this year seem more attuned to artists with institutional profiles, strong CVs and already established names.

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Sargent’s Daughters

News About Sargent’s Daughters

Five Works That Stole the Show at Frieze New York

Frieze New York Opens Strong, But the Real Test Is Just Beginning

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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