Geraldine Javier

News About Geraldine Javier

In Basel, a Cautious But Committed Market Rediscovers Its Nerve

"Art Basel remains the most important fair of the year… It starts strong, and it stays strong."

By Elisa Carollo

The Slow Biennial: Helsinki’s Gentle Vision for Environmental Art

Titled "Shelter: Below and Beyond, Becoming and Belonging," the Helsinki Biennial's third edition has an urgent message that risks being lost in its quiet subtlety.

By Naima Morelli

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The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

By Fred Garratt-Stanley

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

By Olga Samofalova

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

By Beth Duckett

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

By Elisa Carollo

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

By Caitlin White

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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Geraldine Javier

News About Geraldine Javier

In Basel, a Cautious But Committed Market Rediscovers Its Nerve

The Slow Biennial: Helsinki’s Gentle Vision for Environmental Art

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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