Jarvis Art

News About Jarvis Art

Konstantina Krikzoni’s Warriors Find Their Power in Balance

In her latest work, she channels grief, Greek antiquity and Jungian duality into a fresh language of feminine force, androgynous physicality and open possibility.

By Elisa Carollo

In “Eruption,” Lindsay Jarvis and Max Werner Make a Case for Collaboration

Their multigenerational exhibition rethinks Neo-Expressionism while quietly proposing a model of art dealing that’s rooted in shared risk and reward.

By Elisa Carollo

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

By Fred Garratt-Stanley

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

By Olga Samofalova

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

By Beth Duckett

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

By Elisa Carollo

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

By Caitlin White

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

By Ross Vandenhoeck

Jarvis Art

News About Jarvis Art

Konstantina Krikzoni’s Warriors Find Their Power in Balance

In “Eruption,” Lindsay Jarvis and Max Werner Make a Case for Collaboration

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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