CERN

News About CERN

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

The sector framed new media and computer art not as a market novelty but as part of a long history of artists engaging with new tools, systems and machines.

By Elisa Carollo

Gems of Geneva: Exploring the Unseen Corners of the Peace City

Like fine Swiss wine, this dreamy city is best savored in leisurely sips, unraveled step by step.

By Paul Jebara

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

By Fred Garratt-Stanley

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

By Olga Samofalova

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

By Beth Duckett

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

By Elisa Carollo

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

By Caitlin White

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

By Ross Vandenhoeck

News About CERN

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

Gems of Geneva: Exploring the Unseen Corners of the Peace City

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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