William Mapan

News About William Mapan

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

The sector framed new media and computer art not as a market novelty but as part of a long history of artists engaging with new tools, systems and machines.

By Elisa Carollo

Christie’s Latest Generative Art Auction Is a Gucci Collab

Pieces up for sale sit at the intersection of generative art and the art of fashion.

By Christa Terry

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

By Fred Garratt-Stanley

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

By Olga Samofalova

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

By Beth Duckett

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

By Elisa Carollo

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

By Caitlin White

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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William Mapan

News About William Mapan

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

Christie’s Latest Generative Art Auction Is a Gucci Collab

Most Recent Posts on Observer

The V&A East Opens With an Exhibition That Reconsiders Britain’s Musical History

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

How Yann LeCun’s Startup Challenges the Logic Behind Today’s A.I. Race

Zero 10 in Basel Contextualized Digital Art Within a Broader Historical Framework

On Costalegre, Four Seasons Tamarindo Makes the Case for Mexican Wine by the Sea

As OpenAI and Anthropic Race Toward IPOs, Trust Becomes the Real Product

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